tag:blogger.com,1999:blog-74601421248707170212024-03-14T07:15:04.467+00:00Holly Knox YeomanHolly Knox Yeomanhttp://www.blogger.com/profile/12199258598416006990noreply@blogger.comBlogger324125tag:blogger.com,1999:blog-7460142124870717021.post-59468275889725457102017-01-17T13:08:00.003+00:002017-01-17T13:09:29.480+00:00No longer in use Hoping to have a website later this year. Keeping the blog up coz my friends say they like looking at it sometimes.Holly Knox Yeomanhttp://www.blogger.com/profile/12199258598416006990noreply@blogger.com0tag:blogger.com,1999:blog-7460142124870717021.post-12057667994150231512015-11-22T17:55:00.001+00:002015-11-22T17:59:28.750+00:00Why I do what I do...<div class="separator" style="clear: both; text-align: center;">
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Holly Knox Yeomanhttp://www.blogger.com/profile/12199258598416006990noreply@blogger.com0tag:blogger.com,1999:blog-7460142124870717021.post-23341545039003856512015-09-10T15:49:00.002+01:002015-09-10T16:06:42.481+01:00POLARaudio Interview<div style="text-align: center;">
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<span style="font-family: Arial, Helvetica, sans-serif;">My fellow Duncan of Jordanstone graduate and good friend</span><span style="background-color: white; font-family: Arial, Helvetica, sans-serif; line-height: 21px;"> </span><span style="background-color: white; font-family: Arial, Helvetica, sans-serif; line-height: 21px;"><a href="http://neilnodzak.co.uk/" target="_blank">Neil Nodzak</a> has started <a href="http://polaraudio.tumblr.com/" target="_blank">POLARdaudio</a> - a podcast to get Edinburgh-based artists talking about their practices/careers. I feature on Episode 2!</span></div>
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Holly Knox Yeomanhttp://www.blogger.com/profile/12199258598416006990noreply@blogger.com0tag:blogger.com,1999:blog-7460142124870717021.post-723019489361272352015-04-20T23:22:00.001+01:002015-04-20T23:53:33.936+01:00Sylva Caledonia <div style="text-align: center;">
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<i><a href="http://www.summerhall.co.uk/2015/sylva-caledonia/" target="_blank">Sylva Caledonia</a></i> is part of <a href="http://www.sciencefestival.co.uk/event-details/how-the-light-gets-in" target="_blank"><i>How the Light Gets In</i></a>, Edinburgh International Science Festival's 2015 exhibitions series, co-curated with Summerhall and <a href="http://www.ascus.org.uk/" target="_blank">ASCUS</a>.</span><br />
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The exhibition features Tim Collins and Reiko Goto with Sara Ocklind, Gerry Loose and Morven Gregor and Chris Fremantle's (<a href="http://ecoartscotland.net/" target="_blank">ecoartscotland</a>) library and <a href="http://www.summerhall.co.uk/2015/chris-fremantles-the-caledonian-everyday-seminar-series/" target="_blank">seminar series</a>. It explores the populace's relationship with ancient forests, asking wider questions about cultural ecology and the importance of including those working within the fields of arts and humanities in shaping the preservation, education, accessibility and future of areas of natural and historical importance. Below is the accompanying catalogue with foreword by me.</span><br />
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<a href="http://www.scribd.com/doc/261229065" nbsp="" style="text-decoration: underline;" title="View Sylva Caledonia Catalogue on Scribd">Sylva Caledonia Catalogue</a></span></div>
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Holly Knox Yeomanhttp://www.blogger.com/profile/12199258598416006990noreply@blogger.com0tag:blogger.com,1999:blog-7460142124870717021.post-66888587504280605222015-01-05T16:49:00.000+00:002015-01-06T17:03:12.358+00:00BAD IDEA<div class="separator" style="clear: both; text-align: center;">
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<span style="background-color: white; color: #141823; font-family: Arial, Helvetica, sans-serif; line-height: 17.9200000762939px; text-align: left;">STATIC STATE presents BAD IDEA</span></div>
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<span style="background-color: white; color: #141823; line-height: 17.9200000762939px; text-align: left;"><span style="font-family: Arial, Helvetica, sans-serif;">Adamastor Studios, Lisbon</span></span></div>
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<i><span style="background-color: white; color: #141823; line-height: 17.9200000762939px; text-align: left;"><span style="font-family: Arial, Helvetica, sans-serif;">Remember that craze when people would jump from a high balcony to a lower one? You could watch videos of the jumpers, shouting for joy as they leapt. Some landed safely, but others never got to the platform they were aiming for.</span></span></i></div>
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<i><span style="font-family: Arial, Helvetica, sans-serif;"><span style="background-color: white; color: #141823; line-height: 17.9200000762939px; text-align: left;"><i style="background-color: transparent; text-align: center;"><span style="line-height: 17.9200000762939px; text-align: left;">An impulse can last a very long time – even after you count to ten, you can still want to do it. And why don’t you do it? Who told you it was a bad idea anyway?</span></i></span></span></i><br />
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<span style="font-family: Arial, Helvetica, sans-serif;"><span style="background-color: white; color: #141823; line-height: 17.9200000762939px; text-align: left;"><span style="background-color: transparent; text-align: center;"><span style="line-height: 17.9200000762939px; text-align: left;">STATIC STATE: Alex Allan, Matt Barnes, Cornelius Dupre, Kevin Harman, Joel Kaplan, Liam Richardson and Norrie Harman.</span></span></span></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Below: </span><span style="font-family: Arial, Helvetica, sans-serif;">Collaborative text to accompany the exhibition by Gwendolen Dupre, Iona Ramsey and I. </span></div>
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Holly Knox Yeomanhttp://www.blogger.com/profile/12199258598416006990noreply@blogger.com0tag:blogger.com,1999:blog-7460142124870717021.post-40357855990449578882014-07-30T00:10:00.001+01:002014-07-30T00:14:06.968+01:00Notes from Jamming Symposium<div style="text-align: center;">
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<li style="text-align: left;"><span style="font-family: Arial, Helvetica, sans-serif;">Introduction by <a href="http://www.davidharding.net/" target="_blank">David Harding</a></span></li>
<li style="text-align: left;"><span style="font-family: Arial, Helvetica, sans-serif;">Introduction to Group Critical Writing Residency and Readings by <a href="http://mariafusco.net/" target="_blank">Maria Fusco</a></span></li>
<li style="text-align: left;"><span style="font-family: Arial, Helvetica, sans-serif;">Keynote speakers: <a href="http://21stcenturyartist.com.au/stine-hebert/" target="_blank">Stine Hebert</a>, <a href="http://curatorsintl.org/collaborators/maria_lind" target="_blank">Maria Lind</a> and <a href="http://cca-glasgow.com/about-cca/cca-teamboard" target="_blank">Francis McKee</a></span></li>
<li style="text-align: left;"><span style="font-family: Arial, Helvetica, sans-serif;">Panel discussion led by <a href="http://www.gla.ac.uk/schools/cca/staff/dominicpaterson/" target="_blank">Dr. Dominic Paterson</a> with Hebert, Lind, McKee, <a href="http://aber.academia.edu/JuditBodor" target="_blank">Judit Bodor</a>, <a href="http://www.rhubaba.org/about" target="_blank">James Bell</a> and <a href="http://www.lux.org.uk/collection/artists/anne-marie-copestake" target="_blank">Anne-Marie Copestake</a></span></li>
<li style="text-align: left;"><span style="font-family: Arial, Helvetica, sans-serif;">Various readings and declarations</span></li>
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<span style="font-family: Arial, Helvetica, sans-serif;">Francis McKee</span></div>
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<li style="text-align: left;"><span style="font-family: Arial, Helvetica, sans-serif;">Sees collaboration as acknowledging the one thing you have in common - being assholes.</span></li>
<li style="text-align: left;"><span style="font-family: Arial, Helvetica, sans-serif;">The CCA refiguring to prevent the shutting of the common.</span></li>
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<span style="font-family: Arial, Helvetica, sans-serif;">Stine Hebert</span></div>
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<li style="text-align: left;"><span style="font-family: Arial, Helvetica, sans-serif;">Capitalism of the <a href="http://ro.tranzit.org/en/lecture/0/2014-05-02/self-organised" target="_blank">self-organised</a> vs. the institution</span></li>
<li style="text-align: left;"><a href="http://platformgaranti.blogspot.co.uk/2010/05/curator-talk-stine-hebert.html" target="_blank"><span style="color: black; font-family: Arial, Helvetica, sans-serif;">Tate Modern</span></a></li>
<li style="text-align: left;"><span style="font-family: Arial, Helvetica, sans-serif;">The fashion for the self-organised writing themselves into history through activities such as publishing. Mimicking what institutions do. Framing history.</span></li>
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<span style="font-family: Arial, Helvetica, sans-serif;">Reading from <a href="http://vilearts.blogspot.co.uk/" target="_blank">Gareth Vile</a></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Maria Lind</span></div>
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<li><span style="font-family: Arial, Helvetica, sans-serif;">Breaking down the definition of collaboration;- cooperation, collective, team etc. Do they mean collaboration?</span></li>
<li><span style="font-family: Arial, Helvetica, sans-serif;">Palle Neilsen: <a href="http://www.tate.org.uk/whats-on/tate-liverpool/exhibition/palle-nielsen-model" target="_blank">The Model <em style="background-color: white; line-height: 21px; margin: 0px; padding: 0px;">– </em><span style="background-color: white; line-height: 21px; margin: 0px; padding: 0px;">A Model for a Qualitative Society</span></a><span style="background-color: white; line-height: 21px;"> 1968</span> and Lind's collaboration with <a href="http://curatorsintl.org/collaborators/lars_bang_larsen" target="_blank">Lars Bang Larsen</a></span></li>
<li><span style="font-family: Arial, Helvetica, sans-serif;"><a href="http://www.tenstakonsthall.se/" target="_blank">Tensta Konsthall</a>, the gallery Lind is director of, situated in the ground floor of a shopping centre in the suburb of Stockholm, Tensta perceived as a bit of a "ghetto"</span></li>
<li><span style="font-family: Arial, Helvetica, sans-serif;">Ayreen Anastas and Rene Cabri's <span style="background-color: white; line-height: 15.00200080871582px;"><a href="http://www.e-flux.com/announcements/summer-2014-2/" target="_blank">The Paths to the Common(s) Are Infinite</a></span></span></li>
<li><span style="font-family: Arial, Helvetica, sans-serif;"><a href="http://www.whw.hr/novosti/index.html" target="_blank">What, how and whom for</a></span></li>
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<li><span style="font-family: Arial, Helvetica, sans-serif;">Maria Lind: Love, humour, critique... if you say they're going to occur in a project they probably won't. Curation is only scratching the surface in this speedy time we live in.</span></li>
<li><span style="font-family: Arial, Helvetica, sans-serif;">Question from Maria Fusco: The use of the word coercion in terms of collaboration bothers her, in terms of acknowledging the wholeness and legacy of the activity.</span></li>
<li><span style="font-family: Arial, Helvetica, sans-serif;">Judit Bodor: The problem of ownership in collaboration</span></li>
<li><span style="font-family: Arial, Helvetica, sans-serif;">James Bell: "Co-production" - term accounting for issues of authorship/ownership. Problematising the relationships/positions.</span></li>
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<span style="font-family: Arial, Helvetica, sans-serif;">Declaration by <a href="http://catherinestreet.net/catherinestreet/" target="_blank">Catherine Street </a>and <a href="http://jlwilliamspoetry.co.uk/tag/catherine-street/" target="_blank">JL Williams</a></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Declaration by <a href="http://www.thelesserarts.co.uk/" target="_blank">Lesser Arts</a></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Reading by Kirsty Hendry and <a href="http://staxtonfoley.wordpress.com/" target="_blank">Jake Watts</a></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Reading by <a href="http://caterpillarsandwiches.wordpress.com/" target="_blank">Penelope Matheson</a> and Murdoch Matheson</span></div>
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<a href="http://criticalslut.tumblr.com/post/92941977752/lewisdenhertog-on-tumblr-jammingsymposium" target="_blank"><img alt="@lewisdenhertog on tumblr #jammingsymposium #genartscotTumblr and Legitimate Author-Death" src="http://37.media.tumblr.com/ac7d18d5f306221c1a88e9079970cb3b/tumblr_n9c3essVEZ1r2sk57o1_500.jpg" /></a></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Reading by <a href="http://vimeo.com/user2051901" target="_blank">Lewis Den Hertog</a></span><br />
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<a href="http://instagram.com/p/q7P9J9x5KV" target="_blank"><span style="font-family: Arial, Helvetica, sans-serif;">Ganghut performance</span></a></div>
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Holly Knox Yeomanhttp://www.blogger.com/profile/12199258598416006990noreply@blogger.com0tag:blogger.com,1999:blog-7460142124870717021.post-35013052331053199702014-07-28T00:06:00.003+01:002014-07-28T00:13:34.095+01:00Jamming Symposium Reading<div style="text-align: center;">
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<span style="font-family: Arial, Helvetica, sans-serif;">Last Friday I was part of the 12hr Jamming Symposium as part of <a href="http://www.dundee.ac.uk/djcad/exhibitions/exhibitions/studio-jamming/" target="_blank">Studio Jamming</a>: Artists' Collaborations in Scotland exhibition and series of events, 30th June - 2nd August 2014 at Cooper Gallery, Dundee.</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">I read, as part of the Writers in Residence, a text by Ben Burtenshaw, edited by me:</span></div>
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<b><span style="font-family: Arial, Helvetica, sans-serif;">The <i>table </i>presents the rationale of sharing, however, without the <i>retreat </i>and a fixed <i>seat</i>, thoughts will contract. To conduce<i>, </i>there must be the potential to reflect through departure, which in turn, can offer a return which abets the collaborative process. The individual’s <i>seats</i> embody the subject position.<o:p></o:p></span></b></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">The reading culminated with a reading of Silas Parry's text <i>Bringing Silence to the Table. </i>Silas is a collaborator of mine, it felt appropriate to invite him to respond to our texts as his methodology is aligned with intuition as opposed to analyticism. Silas has written an ode to a painting partnership, looking at maintaining the ability to retreat whilst using the painting process as a shared dialogue or ‘table’:</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><b><a href="https://studiojammingwritingresidency.dundee.ac.uk/collaborators/silas-t-parry/" target="_blank">Last winter I met an old man on a bench. He sipped from his disposable coffee cup, rummaged about in his pockets for a cigarette. We glanced at each other, smiled. Then looked away again. A cold wind blew through the spidery trees behind us. The old man cleared histhroat and said: It was a conversation that lasted many years.</a></b></span></div>
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Holly Knox Yeomanhttp://www.blogger.com/profile/12199258598416006990noreply@blogger.com0tag:blogger.com,1999:blog-7460142124870717021.post-31477628583632939472014-07-21T23:14:00.000+01:002014-07-26T21:07:58.168+01:00Studio Jamming: Artists' Collaborations in Scotland<div style="text-align: center;">
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<span style="font-family: Arial, Helvetica, sans-serif;">On Friday I will be presenting texts on behalf of myself and collaborators <a href="http://www.benjaminburtenshaw.co.uk/" target="_blank">Ben Burtenshaw</a> and <a href="http://hollyknoxyeoman.blogspot.co.uk/2014/07/silas-parry-possibility-of-life.html" target="_blank">Silas Parry</a> as part of the <a href="http://hollyknoxyeoman.blogspot.co.uk/2014/06/studio-jamming-group-critical-writing.html" target="_blank">Cooper Gallery's Writers in Residence</a>, as part of the <a href="http://us2.campaign-archive1.com/?u=bec5c83c5721068bccd072abe&id=e84a6237ad" target="_blank">Jamming Symposium</a> for Studio Jamming.</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">Click on the following links to read Silas' <a href="https://studiojammingwritingresidency.dundee.ac.uk/collaborators/silas-t-parry/" target="_blank"><i>Bringing Silence to the Table</i></a> in response to our text <a href="http://studiojammingwritingresidency.dundee.ac.uk/texts/yeoman-burtenshaw/" target="_blank"><i>What do you Bring to the Table.</i></a></span></div>
Holly Knox Yeomanhttp://www.blogger.com/profile/12199258598416006990noreply@blogger.com0tag:blogger.com,1999:blog-7460142124870717021.post-21725527910523279272014-07-13T22:37:00.000+01:002014-07-13T22:59:01.663+01:00Silas Parry: Possibility of Life<div style="text-align: left;">
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<span style="font-family: Arial, Helvetica, sans-serif;">Kirsty Macleod of 2|1|4|1, spoke to <a href="http://2-1-4-1.com/Silas-Parry-Possibility-of-Life" target="_blank">Silas Parry</a>, </span><span style="font-family: Arial, Helvetica, sans-serif;">about his practice and its development. </span><span style="font-family: Arial, Helvetica, sans-serif;">His works are "</span><span style="line-height: 21px;"><span style="font-family: Arial, Helvetica, sans-serif;"><i>a crass mimic of the processes of life itself; half-remembered and fading. The natural world echoing long-ceased industrial mechanics. They are jerky, half-conscious automatons, trying to scavenge a future from sad and finished history." </i></span></span></div>
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<span style="line-height: 21px;"><span style="font-family: Arial, Helvetica, sans-serif;">I programmed Silas' exhibition </span></span><i style="font-family: Arial, Helvetica, sans-serif;">Possibility of Life</i><span style="font-family: Arial, Helvetica, sans-serif;">, as part of Summerhall's 2014 Edinburgh International Science Festival and we are continuing to work together on the next stage of this project.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">2|1|4|1, is </span><span style="font-family: Arial, Helvetica, sans-serif;">an artist-led collective supporting emerging talent in Scotland, their first curatorial project <i><a href="http://2-1-4-1.com/Draw-In" target="_blank">Draw-In</a></i>, at St. Margaret's House, explores the role of drawing in contemporary art practice, it is on till the 26th July. Not to be missed!</span></div>
Holly Knox Yeomanhttp://www.blogger.com/profile/12199258598416006990noreply@blogger.com0tag:blogger.com,1999:blog-7460142124870717021.post-10105338197027041102014-07-06T21:14:00.000+01:002014-07-06T21:28:22.983+01:00Notes from FIELDWORK: Reports on Event Curating<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: Arial, Helvetica, sans-serif;">30th June </span></div>
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<li style="text-align: left;"><span style="font-family: Arial, Helvetica, sans-serif;"><a href="http://leaveryap.wordpress.com/" target="_blank">Isla Leaver-Yap</a> presentation on documentation: content vs. activity.</span></li>
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<li><span style="font-family: Arial, Helvetica, sans-serif;"><a href="http://dutchartinstitute.eu/page/3327/vivian-ziherl">Vivian Ziherl</a> report: feminist position; <a href="http://issuu.com/mgaphotography/docs/ponch_hawkes_works-from-the-mga-col/1">Ponch Hawkes'</a> These Women have just run twenty-six miles, originally published in feminist art magazine <a href="http://rmit.net.au/browse;ID=c2azrksq1ymiz" target="_blank">LIP</a>; Stedelijk inaugural Public Program performance event <a href="http://www.stedelijk.nl/en/calendar/performances/stage-it-part-1">Stage It!</a>; an experiment that became an institution - <a href="http://www.ificantdance.org/About/00-IfICantDance">If I can't dance, I don't want to be part of your revolution</a>; episodic programme - overflow, speculation and return - dissemination; the curator extrapolating from the artist something which was not there before; opportunistic institution because not fixed vs. sustaining its responsiveness; grounding itself through self-initiated, affiliated reading groups - different sets of texts, cross-pollination - the next thoughts coming; <a href="http://www.wdw.nl/landings-3/">Landings</a> - a research, event and exhibition based series co-curated with Natasha Ginwala; resurfacing histories of communities, decolonisation of politics; liberal feminism - strategic essentialism vs. essential position - position of mobility/agility in the "category of women"; Landings: the absent administrator - <a href="http://www.janvaneyck.nl/en/home/rachel-oreilly-participating-in-approaching-absenteeism-11-july-tropenmuseum-amsterdam/">Approaching Absenteeism</a>, Tropenmuseum; Landings: <a href="http://www.wdw.nl/event/landings/">Sensing Grounds</a>; The negative practice of curators/institutions outsourcing responsibility to artists. </span></li>
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<li><span style="font-family: Arial, Helvetica, sans-serif;"><a href="http://www.fionnmeade.com/" target="_blank">Fionn Meade</a> report: <a href="http://www.artinamericamagazine.com/news-features/news/fionn-meade-to-helm-the-walkers-cross-disciplinary-program/" target="_blank">Walker's Cross Disciplinary Program</a>; <a href="http://www.mercecunningham.org/" target="_blank">Merce Cunningham</a>, <a href="http://johncage.org/" target="_blank">John Cage</a>, <a href="http://www.meredithmonk.org/" target="_blank">Meredith Monk</a>; Cunningham's <a href="http://www.eai.org/title.htm?id=15056" target="_blank">Variations V</a>; shared autonomy as an aesthetic; Cunningham's choreography and David Tudor's electronic score for <a href="http://www.nytimes.com/1988/03/03/arts/dance-merce-cunningham-s-rainforest.html" target="_blank">Rainforest</a>; Choreographer <a href="http://www.walkerart.org/magazine/2013/philip-bither-trisha-brown" target="_blank">Trisha Brown</a>; Cunningham and Robert Rauschenberg's <a href="http://www.walkerart.org/calendar/2011/dance-works-i-merce-cunningham-robert-rausche" target="_blank">collaboration</a>; liveness being absorbed; <a href="http://mariahassabi.com/?work=intermission" target="_blank">Maria Hassabi</a>, participating artist at the Lithuanian-Cypriot Pavillion at the 55th Venice Biennale; not responding to the legacy of these artforms, heroicized therefore no more; Broodthaers' <a href="http://www.tate.org.uk/context-comment/articles/esprit-decor" target="_blank"><span style="background-color: white; line-height: 21px;">Esprit </span><span style="background-color: white; line-height: 21px; margin: 0px; padding: 0px;">Décor</span><span style="background-color: white; line-height: 21px; margin: 0px; padding: 0px;">/D</span>ecor Intention</a> - narratives of globalisation.</span></li>
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<li style="text-align: left;"><span style="font-family: Arial, Helvetica, sans-serif;"><a href="http://gerrievannoord.wordpress.com/" target="_blank">Gerrie Van Noord's</a> <i>Dissemination</i> group, Parallel Conversations Part I: who to tell and why...; editor = disseminator; idealised/intuitive relationship with dissemination - creating publications rather than being instantaneous.</span></li>
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<span style="font-family: Arial, Helvetica, sans-serif;">2nd July</span></div>
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<li><span style="font-family: Arial, Helvetica, sans-serif;"><a href="http://curatorsintl.org/collaborators/sam_korman" target="_blank">Sam Korman</a> report: <a href="http://www.whiteflagprojects.org/wfp10/" target="_blank">Whiteflag</a>, <a href="https://www.facebook.com/1.nite.stand.STL" target="_blank">1 Nite Stand</a>, St Louis; hierarchy, audience/performer, authenticity; reconciliation of a complex history, no inherent community; accepted difference; irresponsible; counter public space - proletarian space vs. the institution.</span></li>
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<li><span style="font-family: Arial, Helvetica, sans-serif;"><a href="http://www.dundee.ac.uk/djcad/staff/sarahcook/" target="_blank">Sarah Cook's</a><i> Critical Framing </i>group, Parallel Conversations Part II: "Curating: arresting a practice to show it"; curatorially and spatially choreographing. </span></li>
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Holly Knox Yeomanhttp://www.blogger.com/profile/12199258598416006990noreply@blogger.com0tag:blogger.com,1999:blog-7460142124870717021.post-17358600226210058702014-06-30T09:37:00.002+01:002014-06-30T09:38:11.307+01:00Studio Jamming: Group Critical Writing Residency<div class="separator" style="clear: both; text-align: center;">
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<span style="color: #444444; font-family: Arial, Helvetica, sans-serif;"><b style="background-color: white; line-height: 25px; text-align: start;">Group Critical Writing Residency</b><span style="background-color: white; line-height: 25px; text-align: start;"> is an anthology of new texts, drawn from open submission and edited by </span><strong style="background-color: white; line-height: 25px; text-align: start;"><a href="http://mariafusco.net/" style="text-decoration: none;" target="_blank">Maria Fusco</a></strong><span style="background-color: white; line-height: 25px; text-align: start;">. Here, emerging writers across Scotland are thinking through collaboration and collectivity, accumulating distinct singularised voices into a speculative document of what it is to be contemporary within art and culture in Scotland today. T</span><span style="background-color: white; line-height: 25px; text-align: start;">he texts find public voice as part of the </span><strong style="background-color: white; line-height: 25px; text-align: start;"><a href="http://www.dundee.ac.uk/djcad/exhibitions/events/jamming-symposium/" style="text-decoration: none;" target="_blank">12-Hour Jamming Symposium</a> </strong><span style="background-color: white; line-height: 25px; text-align: start;">on 25 July 2014.</span></span></div>
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<span style="color: #444444; font-family: Arial, Helvetica, sans-serif;">Ben Burtenshaw and I have collaborated, producing <i><a href="http://studiojammingwritingresidency.dundee.ac.uk/texts/yeoman-burtenshaw/" target="_blank">What do you Bring to the Table</a>.</i></span></div>
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Holly Knox Yeomanhttp://www.blogger.com/profile/12199258598416006990noreply@blogger.com0tag:blogger.com,1999:blog-7460142124870717021.post-61794714893299694312014-06-29T22:39:00.000+01:002014-06-29T22:43:00.860+01:00FIELDWORK: Reports on Event Curating<div style="text-align: center;">
<span style="font-family: Arial, Helvetica, sans-serif;">Tomorrow I'm leaving Edinburgh to go camping for a bit in Arbroath... all in the name of event curating. I'm participating in Hospitalfield Arts' first international summer school programme <a href="http://hospitalfield.org.uk/programme/events/fieldwork/" target="_blank">Fieldwork</a> devised and hosted by Isla Leaver-Yap. Excited.</span></div>
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Holly Knox Yeomanhttp://www.blogger.com/profile/12199258598416006990noreply@blogger.com0tag:blogger.com,1999:blog-7460142124870717021.post-65522442385074659712014-04-06T11:01:00.002+01:002014-06-29T22:41:25.130+01:00Studio Jamming: Artists' Collaborations in Scotland<div style="text-align: center;">
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<span style="font-family: Arial, Helvetica, sans-serif;"><b>30th June - 2nd August 2014 (Preview 28th June)</b></span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;"><span style="font-family: Arial, Helvetica, sans-serif;">Taking its cue from the live improvised excitement of musical jamming,</span><span style="font-family: Arial, Helvetica, sans-serif;"> </span><span style="border: 0px; font-family: Arial, Helvetica, sans-serif; font-style: inherit; font-variant: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">Cooper Gallery</span><span style="font-family: Arial, Helvetica, sans-serif;"> </span><span style="font-family: Arial, Helvetica, sans-serif;">presents </span><span style="border: 0px; font-family: Arial, Helvetica, sans-serif; font-style: inherit; font-variant: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"><em style="border: 0px; font-variant: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">Studio Jamming: Artists’ Collaborations in Scotland</em></span><span style="font-family: Arial, Helvetica, sans-serif;">; the first discursive survey to foreground the grassroots character of artists’ collaboration that has contributed to the remarkable achievements of contemporary art in Scotland.</span></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Among the highlights of</span><span style="font-family: Arial, Helvetica, sans-serif;"> </span><em style="border: 0px; font-family: Arial, Helvetica, sans-serif; font-variant: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"><span style="border: 0px; font-style: inherit; font-variant: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">Studio Jamming</span></em><span style="font-family: Arial, Helvetica, sans-serif;"> </span><span style="font-family: Arial, Helvetica, sans-serif;">is the presentation of new works from artists’ collaborative groups including</span><span style="font-family: Arial, Helvetica, sans-serif;"> </span><span style="border: 0px; font-family: Arial, Helvetica, sans-serif; font-style: inherit; font-variant: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"><b>Graham Eatough & Graham Fagen</b></span><span style="font-family: Arial, Helvetica, sans-serif;">,</span><span style="font-family: Arial, Helvetica, sans-serif;"> </span><span style="border: 0px; font-family: Arial, Helvetica, sans-serif; font-style: inherit; font-variant: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"><b>Full Eye</b></span><span style="font-family: Arial, Helvetica, sans-serif;">,</span><span style="font-family: Arial, Helvetica, sans-serif;"> </span><span style="border: 0px; font-family: Arial, Helvetica, sans-serif; font-style: inherit; font-variant: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"><b>Ganghut</b></span><span style="font-family: Arial, Helvetica, sans-serif;"> and</span><span style="font-family: Arial, Helvetica, sans-serif;"> </span><span style="border: 0px; font-family: Arial, Helvetica, sans-serif; font-style: inherit; font-variant: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"><b>Henry VIII’s Wives</b></span><span style="font-family: Arial, Helvetica, sans-serif;">. </span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Adopting a diverse curatorial approach the project is comprised of exhibitions, a dynamic event series and a </span><span style="border: 0px; font-family: Arial, Helvetica, sans-serif; font-style: inherit; font-variant: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">Group Critical Writing Residency</span><span style="font-family: Arial, Helvetica, sans-serif;">, culminating in a</span><span style="font-family: Arial, Helvetica, sans-serif;"> </span><span style="border: 0px; font-family: Arial, Helvetica, sans-serif; font-style: inherit; font-variant: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">12-hour Jamming Symposium</span><span style="font-family: Arial, Helvetica, sans-serif;">.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><em style="border: 0px; font-variant: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"><span style="border: 0px; font-style: inherit; font-variant: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">Studio Jamming</span></em> is set to re-search, annotate, contextualise and celebrate artists’ collaboration as a particular phenomenon of artistic practice in Scotland. The key ingredient for this process is <span style="border: 0px; font-style: inherit; font-variant: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">The Hub</span>, an architectural intervention constructed in and around Cooper Gallery that is to be designed by <span style="border: 0px; font-style: inherit; font-variant: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"><b>Studio Miessen</b></span> led by <b>Markus Miessen</b>, an alumni of GSA and now a leading thinker in Critical Spatial Practice. Developing as a live critical discourse, The Hub acts as a collaborative ‘site’ where artists, writers, architects, educators, researchers, performers, cultural thinkers and participants present, reflect upon and elaborate the possibilities and histories wrapped up in artists’ collaborations. </span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Offering a vital platform for presenting and disseminating new critical writing, the <span style="border: 0px; font-style: inherit; font-variant: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">Group Critical Writing Residency</span>, edited by <span style="border: 0px; font-style: inherit; font-variant: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"><b>Maria Fusco</b></span>, invites emerging writers in Scotland to produce new textual works on collaboration and collectivity. The Residency is marked by a live <span style="border: 0px; font-style: inherit; font-variant: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">Group Critical Reading </span>event in which the writers will give their work a public voice. Centered on <span style="border: 0px; font-style: inherit; font-variant: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">Declarations</span> presented by artists’ collaboration groups from all over Scotland, <em style="border: 0px; font-variant: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"><span style="border: 0px; font-style: inherit; font-variant: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">Studio Jamming</span></em> culminates in the <span style="border: 0px; font-style: inherit; font-variant: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">12-hour Jamming Symposium</span> that is jammed with keynote talks, gigs, performances and screenings.</span></div>
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<em style="border: 0px; font-family: Arial, Helvetica, sans-serif; font-variant: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"><span style="border: 0px; font-style: inherit; font-variant: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">Studio Jamming: Artists' Collaborations in Scotland - </span></em><span style="font-family: Arial, Helvetica, sans-serif;">is part of </span><a href="http://www.nationalgalleries.org/aboutus/special-projects/generation//" style="-webkit-tap-highlight-color: rgb(255, 242, 2); background-color: transparent; background-image: url(http://www.dundee.ac.uk/media/dundeewebsite/assets960/img/icon/externalLinkOff.png); background-position: 100% 0%; background-repeat: no-repeat no-repeat; font-family: Arial, Helvetica, sans-serif; padding: 0px 16px 0px 1px; text-decoration: none; vertical-align: top;" target="_blank"><span style="border: 0px; font-style: inherit; font-variant: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"><b>GENERATION</b></span></a><span style="font-family: Arial, Helvetica, sans-serif;">, this summer's landmark series of exhibitions</span><span style="font-family: Arial, Helvetica, sans-serif;"> </span><span style="border: 0px; font-family: Arial, Helvetica, sans-serif; font-style: inherit; font-variant: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">tracing the remarkable development of contemporary art in</span><span style="font-family: Arial, Helvetica, sans-serif;"> Scotland over the last 25 years. </span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><span style="border: 0px; font-style: inherit; font-variant: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"><b><span style="border: 0px; font-style: inherit; font-variant: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">NEWS /// </span>1 APRIL 2014</b></span><span style="border: 0px; font-style: inherit; font-variant: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">:</span> Cooper Gallery are inviting submissions from writers based in Scotland for the <span style="border: 0px; font-style: inherit; font-variant: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"><b>Group Critical Writing Residency</b></span> and a <b>Call for Declarations from Artists' Collaborative Groups in Scotland </b>for the <span style="border: 0px; font-style: inherit; font-variant: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">12-Hour Jamming Symposium:</span></span></div>
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Holly Knox Yeomanhttp://www.blogger.com/profile/12199258598416006990noreply@blogger.com0tag:blogger.com,1999:blog-7460142124870717021.post-11944074096945171222014-04-05T23:55:00.004+01:002014-04-06T11:01:59.787+01:00David Rushton: Art as Conceit<div style="text-align: center;">
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<span style="font-family: Arial, Helvetica, sans-serif;"><b>15th March - 19th April 2014</b></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"> <i>Image courtesy of David Rushton</i></span></div>
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Holly Knox Yeomanhttp://www.blogger.com/profile/12199258598416006990noreply@blogger.com0tag:blogger.com,1999:blog-7460142124870717021.post-15867400705633344222014-02-17T23:45:00.001+00:002014-02-17T23:50:06.263+00:00The artist is thus a kind of noise maker.<div class="block block-delta-blocks block-page-title block-delta-blocks-page-title odd block-without-title" id="block-delta-blocks-page-title" style="background-color: white; color: #444444; line-height: 21px; margin: 0px; padding: 0px 10px;">
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<span style="display: block; float: left; margin: 0px 6px 0px 0px; padding: 0px;"><span style="font-family: Arial, Helvetica, sans-serif;">By</span></span><span style="font-family: Arial, Helvetica, sans-serif;">Simon Grant</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">5 February 2014</span></div>
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<a href="http://www.tate.org.uk/node/291161" style="border-bottom-color: rgb(0, 174, 211); border-bottom-style: solid; border-bottom-width: 1px; color: #444444; margin: 0px; outline: none; padding: 0px; text-decoration: none;"><span style="font-family: Arial, Helvetica, sans-serif;">Tate Etc. issue 30: Spring 2014</span></a></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><em style="margin: 0px; padding: 0px;">Simon Grant: </em>Claude Shannon’s book <em style="margin: 0px; padding: 0px;"><a href="http://en.wikipedia.org/wiki/A_Mathematical_Theory_of_Communication" target="_blank">The Mathematical Theory of Communication</a></em> 1949 has influenced your way of thinking. How have his ideas fed into your work?</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><em style="margin: 0px; padding: 0px;">Richard Deacon:</em> <br style="margin: 0px; padding: 0px;" />I do like numbers. I remember learning to count, and the realisation that numbers were generated by rule, rather than being learned by rote, was revelatory: the certain knowledge that, given any number, the rule enabled me to generate the next was a powerful sensation. It was such a pleasure that I would spend long parts of entire days counting out loud, like some kind of speaking clock, in wonderment at the sheer inexhaustibility of numbers.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">I took mathematics and physics as A-level subjects and understand how equations formalise relationships, and I am comfortable with there being a connection between those formalisations and the world. As a student I became interested in information theory and came across <em style="margin: 0px; padding: 0px;">The Mathematical Theory of Communication</em> with an introduction by Warren Weaver. Shannon was a signals specialist at the Bell Telephone Laboratories, preoccupied with the technical problems associated with the transmission of messages along channels affected by noise or interference. His theory is extraordinarily elegant and powerful, linking ideas about information, entropy and uncertainty with those of channel capacity. Weaver was a social scientist at the Rockefeller Foundation, and his introduction presciently transfers the problems that initially concerned Shannon to the levels of semantics and effectiveness, while emphasising that ‘message’ can be construed as being a function of any communications media.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">As I worked through the text, I began to realise that ‘noise’ in a communications channel, whatever the intention of the originator, is something very like the artwork itself, introducing a high level of uncertainty and thus an extraordinary amount of information into the perception or reception of the work. Information is, of course, different from meaning (gibberish has a high information content), but it is the possibility that meaning(s) arrive in the clutter of uncertainties that makes things interesting. The artist is thus a kind of noise maker.</span><br />
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<span style="background-color: white; color: black; font-family: sans-serif; font-size: 12.222222328186035px; line-height: 18.23999786376953px;">Shannon's diagram of a general communication system</span></div>
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<span style="background-color: white;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: 11px; line-height: 17.099998474121094px; text-align: start;">Richard Deacon</span><br style="font-family: Arial, Helvetica, sans-serif; font-size: 11px; line-height: 17.099998474121094px; margin: 0px; padding: 0px; text-align: start;" /><span style="font-family: Arial, Helvetica, sans-serif; font-size: 11px; line-height: 17.099998474121094px; text-align: start;">drawing for </span><em style="font-family: Arial, Helvetica, sans-serif; font-size: 11px; line-height: 17.099998474121094px; margin: 0px; padding: 0px; text-align: start;">Stuff Box Object Project</em><span style="font-family: Arial, Helvetica, sans-serif; font-size: 11px; line-height: 17.099998474121094px; text-align: start;"> 1970</span></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><span style="background-color: white; font-size: 11.111111640930176px; line-height: 17.099998474121094px;">NB: Material as an <a href="http://www.acastronovo.com/ClassHtms/ClassDocs/Deacon01.pdf" target="_blank">'event-structure'</a>, p9.</span></span></div>
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Holly Knox Yeomanhttp://www.blogger.com/profile/12199258598416006990noreply@blogger.com0tag:blogger.com,1999:blog-7460142124870717021.post-87177853742314214652013-09-07T12:03:00.001+01:002013-09-07T12:05:25.799+01:00COOPER GALLERY NOTES: A Knife Edge Press: The Complete Works (so far)<div style="text-align: justify;">
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<span style="font-family: Arial, Helvetica, sans-serif;"><a href="http://coopergallerynotes.blogspot.com/2013/09/a-knife-edge-press-complete-works-so-far.html?spref=bl">COOPER GALLERY NOTES: A Knife Edge Press: The Complete Works (so far)</a>: Last week I attended the Preview of ‘A Knife Edge Press: The Complete Works (So Far)’.<span style="background-color: white; color: #444444; line-height: 18px; text-align: justify;">The event and exhibition were part of </span><a href="http://www.conf.dundee.ac.uk/impact8/home/" style="background-color: white; color: #4d469c; line-height: 18px; text-align: justify; text-decoration: none;" target="_blank">‘Impact 8 International Printmaking Conference’</a><span style="background-color: white; color: #444444; line-height: 18px; text-align: justify;"> held in Dundee, bringing printmakers from across the world together to discuss the historical and creative importance of printmaking as a medium. ‘A Knife Edge Press…’ is a collaboration between art writer </span><a href="http://raw.wimbledon.ac.uk/?q=node/23" style="background-color: white; color: #4d469c; line-height: 18px; text-align: justify; text-decoration: none;" target="_blank">Mel Gooding</a><span style="background-color: white; color: #444444; line-height: 18px; text-align: justify;">and artist </span><a href="http://www.projectsconcepts.com/" style="background-color: white; color: #4d469c; line-height: 18px; text-align: justify; text-decoration: none;" target="_blank">Bruce McLean</a><span style="background-color: white; color: #444444; line-height: 18px; text-align: justify;">, together they create artists’ books. I previously worked with Bruce in 2011, as part of the Exhibitions DJCAD team, on a large-scale project </span><i style="background-color: white; color: #444444; line-height: 18px; text-align: justify;">‘a comic opera in three-parts’ </i><span style="background-color: white; color: #444444; line-height: 18px; text-align: justify;">entitled</span><i style="background-color: white; color: #444444; line-height: 18px; text-align: justify;"><a href="http://www.dundee.ac.uk/djcad/exhibitions/exhibitions/cutascratchascore/" style="color: #4d469c; text-decoration: none;" target="_blank">‘A Cut A Scratch A Score’</a></i><span style="background-color: white; color: #444444; line-height: 18px; text-align: justify;"> and was intrigued to discover another facet to Bruce’s creative repertoire in a partnership which has spanned nearly three decades...</span></span></div>
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Holly Knox Yeomanhttp://www.blogger.com/profile/12199258598416006990noreply@blogger.com0tag:blogger.com,1999:blog-7460142124870717021.post-17998175362570426922013-07-21T23:13:00.000+01:002013-07-21T23:14:54.072+01:00NTCRIT<h2 id="site-description" style="background-color: white; border: 0px; clear: both; font-weight: normal; line-height: 15px; margin: 0px; outline: 0px; padding: 0px; position: relative; text-align: center; vertical-align: baseline; z-index: 11;">
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">I recently met up with Darren Murphy the convenor of <a href="http://nottoocritical.wordpress.com/" target="_blank">Not Too Critical</a> - an inclusive and informal discussion group based in Manchester, relocating to Edinburgh for the next six weeks. I'm really looking forward to this <a href="https://www.facebook.com/NTCritical/events" target="_blank">series of events</a> which use elected texts and media to inform conversations surrounding "creative matters" with emphasis on the notion of institutions and location and the attached social effects.</span></h2>
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<span style="font-family: Arial, Helvetica, sans-serif;"><span style="background-color: white; line-height: 14.545454025268555px;">The first three meetings shall see us use Irit Rogoff's seminal text 'What is a Theorist?' as the catalyst of each conversation.</span></span></div>
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<span style="background-color: white; line-height: 14.545454025268555px; text-align: start;">Irit Rogoff: What is a Theorist?</span><br />
<span style="background-color: white; line-height: 14.545454025268555px; text-align: start;">24/7/2013 - Undone</span><br />
<span style="background-color: white; line-height: 14.545454025268555px; text-align: start;">31/7/2013 - Without</span><br />
<span style="background-color: white; line-height: 14.545454025268555px; text-align: start;">07/8/2013 - Unfitting & Entangled</span></div>
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<span style="background-color: white; line-height: 14.545454025268555px; text-align: start;"><b><a href="https://www.facebook.com/events/523835937685845/" target="_blank">UNDONE</a></b></span></div>
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<b><a href="http://www.edinburgh-garage.com/" style="line-height: 14.53125px; text-align: start;" target="_blank">GARAGE</a><span style="background-color: white; line-height: 14.53125px; text-align: start;"> (51a Northumberland Street)</span></b></div>
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<b>6:30-7:30pm</b><br />
<span style="background-color: white; line-height: 14.545454025268555px; text-align: start;"><b>“A theorist is one who has been undone by theory.”</b></span><br />
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<span style="background-color: white; line-height: 14.545454025268555px; text-align: start;">While previously our understandings of theory have surrounded ideas of criticism (the application of value judgements) and more recently critique (a progression of criticism which allows us to re-evaluate the assumptions and values applied during criticism), Rogoff argues that while these are valuable, we, as theorists, must enter into ‘criticality’ - the current phase of cultural theory. Criticality takes place in the present and exists in the duality of having both the ability to question, analyse and unveil that is present in critique, whilst at the same time existing within and fully inhabiting the very conditions one is analysing. This is the state of being ‘undone’ by theory: existing in the uncertainty of critiquing the very ground on which one stands.</span><br />
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<span style="background-color: white; line-height: 14.545454025268555px; text-align: start;">Summary supplied by Naomi Cull, </span><span style="background-color: white; line-height: 14.53125px;">The full text is available </span><a href="http://www.kein.org/node/62" style="line-height: 14.53125px;" target="_blank">here</a></div>
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Holly Knox Yeomanhttp://www.blogger.com/profile/12199258598416006990noreply@blogger.com0tag:blogger.com,1999:blog-7460142124870717021.post-7874663143366597512013-05-28T21:48:00.003+01:002013-05-28T21:50:57.801+01:00The Glasshouse Request<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: Arial, Helvetica, sans-serif;">I am in this, you can read it all <a href="http://www.relay.eca.ed.ac.uk/zine/2013/05/23/relay-press-publication-the-glasshouse-request/" target="_blank">here</a>.</span></div>
Holly Knox Yeomanhttp://www.blogger.com/profile/12199258598416006990noreply@blogger.com0tag:blogger.com,1999:blog-7460142124870717021.post-51562883198379426562013-05-22T15:49:00.002+01:002013-05-28T21:54:16.944+01:00Artists' DIY Soapbox<div class="separator" style="clear: both; text-align: center;">
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<span style="background-color: white; font-family: Arial, Helvetica, sans-serif; line-height: 14.53125px;">As part of the New Work Scotland Programme, <a href="http://www.collectivegallery.net/" target="_blank">Collective</a> stages an annual <i><a href="https://www.facebook.com/events/153771251468424/?fref=ts" target="_blank">Artists' DIY Soapbox</a></i> and I have been asked to participate, discussing </span><span style="font-family: Arial, Helvetica, sans-serif;">the original <i><a href="http://hollyknoxyeoman.blogspot.co.uk/2013/04/newhaven-station-exhibition.html" target="_blank">Newhaven Station</a></i> project and future developments. <span style="background-color: white; line-height: 14.545454025268555px;">This event aims to provide a platform for new and exciting artist-led initiatives. I would say come... but I'm really scared.</span></span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;"><a href="https://www.facebook.com/0hi000" target="_blank">OHIO</a></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><a href="https://www.facebook.com/tinroofdundee" target="_blank">TIN ROOF</a></span></div>
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Holly Knox Yeomanhttp://www.blogger.com/profile/12199258598416006990noreply@blogger.com0tag:blogger.com,1999:blog-7460142124870717021.post-39006762964340108932013-05-20T22:24:00.001+01:002013-05-20T23:14:26.062+01:00EH16<div style="text-align: center;">
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<span style="font-family: Arial, Helvetica, sans-serif;">Attempting to go <a href="http://hollyknoxyeoman.blogspot.co.uk/2011/05/final-talk-artist-as-broadcaster.html" target="_blank">full-circle</a></span></div>
Holly Knox Yeomanhttp://www.blogger.com/profile/12199258598416006990noreply@blogger.com0tag:blogger.com,1999:blog-7460142124870717021.post-40555502836711188602013-04-22T12:19:00.001+01:002013-04-22T12:20:23.815+01:00Lynda Morris in conversation with David Rushton<div style="text-align: center;">
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Holly Knox Yeomanhttp://www.blogger.com/profile/12199258598416006990noreply@blogger.com0tag:blogger.com,1999:blog-7460142124870717021.post-39389506641196305932013-04-05T13:14:00.001+01:002013-04-05T13:14:09.579+01:00sawfloor<div class="separator" style="clear: both; text-align: center;">
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<br />Holly Knox Yeomanhttp://www.blogger.com/profile/12199258598416006990noreply@blogger.com0tag:blogger.com,1999:blog-7460142124870717021.post-70830187606242352802013-04-02T14:15:00.006+01:002013-04-03T14:28:07.617+01:00Newhaven Station Exhibition<br />
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<span style="font-family: Arial, Helvetica, sans-serif;">A visitor in our introductory area reading <a href="http://kategrenyer.wordpress.com/" target="_blank">Kate Grenyer's</a> response to the space and exhibition <i>POINTS ALONG A LINE.</i></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">On the particularly cold weekend... I did offer blankets... COLDEST FRIGGIN' MARCH IN 51 YEARS AND WE HAVE NO ELECTRICITY IN THE BUILDING.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">The introductory space included a make-shift bench, made from left-over wood, the architectural plans for The Station's future development - freelance office space with the Calendonian Railway Company's Crest - <i><a href="http://en.wikipedia.org/wiki/Nemo_me_impune_lacessit" target="_blank">Nemo me impune lacessit</a></i>. A military motto which unfortunately brought no defence in the wake of <a href="http://www.bbc.co.uk/news/uk-21938349" target="_blank">The Beeching Axe</a>. </span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">There were left over documentary materials of the railway line left in the building from Doors Open Day, I opted to remove these and to create a book from researching the pictures and other pieces of information I discovered about the network. </span><span style="font-family: Arial, Helvetica, sans-serif;">You can hear more about this book and the project in this </span><a href="http://vimeo.com/62556979" style="font-family: Arial, Helvetica, sans-serif;" target="_blank">clip</a><span style="font-family: Arial, Helvetica, sans-serif;">.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">I left up a map, removing the outer images documenting the various railway stations that would have existed like Newhaven Station. The sunlight over the years had left exposure marks on the wall from the images left from Doors Open Day.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">In the introductory space there were subtle hints that <i>a site for new art works and a new use of space</i> was taking place in this transitory development. This <a href="http://dickiewebb.wordpress.com/2013/03/28/newhaven-station-dickie-webb/" target="_blank">Dickie Webb</a> installation was hidden behind the door, mirroring the focal point to the exhibition at the other end of the building, in which Dickie had to incorporate a ladder.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Richard Taylor included pieces of work in the introductory area such as the above image of The Highlands as well as two texts. <i>The landscape of Povera More </i>was a response to the research documentation and inspired by the locals who visited and reminisced on the Open Install Afternoon. The second text </span><span style="font-family: Arial, Helvetica, sans-serif;">corresponded to his performance - </span><i style="font-family: Arial, Helvetica, sans-serif;">Truffle Hunt (cannon fodder).</i></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">The rucksack hanging on the right was part of <i>Truffle Hunt (cannon fodder) </i>in which Richard engineered interaction with the visitors as they consumed and destroyed his sculpture during the Preview. </span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><span style="background-color: white; text-align: start;"><a href="http://www.rich-taylor.co.uk/archive/newhaven-station/" target="_blank">Richard Taylor</a> <i>produced a new set of works likening art practice to that of a 'mini-game', a </i></span><i><span style="background-color: white; text-align: start;">preoccupation</span><span style="background-color: white; text-align: start;"> set aside from the protagonist's role in the game of life. A side-role many artists occupy themselves with, often being very active but gaining little or getting... </span></i></span></div>
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<a href="http://claudiadlp.blogspot.co.uk/2013/03/newhaven-station-photography.html" target="_blank"><span style="font-family: Arial, Helvetica, sans-serif;">Claudia de la Pe</span><span style="background-color: white; line-height: 12.800000190734863px; text-align: left;"><span style="font-family: Arial, Helvetica, sans-serif;">ñ</span></span><span style="font-family: Arial, Helvetica, sans-serif;">a</span></a> <span style="font-family: Arial, Helvetica, sans-serif;">over the course of two weeks created sculptural works from materials found in the space, capturing them through photography, disassembling her sculptures to then replace them with photographic installations of these past moments.</span></div>
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<span style="text-align: start;"><span style="font-family: Arial, Helvetica, sans-serif;">Above a close-up of one of Claudia's photographic sculptures which can be seen installed on its shelf in the below image.</span></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><a href="http://www.dickiewebb.com/newhaven-station-1.php" target="_blank">Dickie Webb</a> created works focusing on such materials as insulation foam, polystyrene and the wood found in the space, he used these to compose simple yet beautiful installations </span><span style="font-family: Arial, Helvetica, sans-serif;"><span style="line-height: 115%;">questioning our changing relationship with </span><span style="line-height: 17.77777862548828px;">dis-remembered</span><span style="line-height: 115%;"> spaces.</span></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">This guy liked Richard's work so much... he couldn't resist intervention.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">I have documented these works in no particular order because the layout of the space, the process and the curatorial discussions which took place over the course of the two weeks could be interpreted as one work rather than individual pieces. Please follow the links for further documentation of the artists' practice.</span><br />
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Holly Knox Yeomanhttp://www.blogger.com/profile/12199258598416006990noreply@blogger.com0tag:blogger.com,1999:blog-7460142124870717021.post-70736657648984059822013-04-02T12:42:00.002+01:002013-04-03T09:15:20.368+01:00Newhaven Station Install<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: Arial, Helvetica, sans-serif;">This is a mixture of images from our install period which was a little shorter than we had imagined because of circumstances out of our control. We made the most of the time we did have and on the 12th March we had an Open Install Afternoon. This was an opportunity to welcome people into the building, to draw attention to what we were doing and the process in which the artists were working. </span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">I kept note of all the people who wondered into the building that day on the wall and some of the recollections and thoughts they had about the railway network and the building. </span><span style="font-family: Arial, Helvetica, sans-serif;">A text response by Richard Taylor to the history of this building, inspired by the visitor's who met with us that day can be viewed </span><a href="http://1.bp.blogspot.com/-sPKwZjaSBJE/UVrY3RJ4ivI/AAAAAAAACm4/3ctCF3iKDk8/s1600/100004.jpg" style="font-family: Arial, Helvetica, sans-serif;" target="_blank">here</a><span style="font-family: Arial, Helvetica, sans-serif;">.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Temptations for the public... if contemporary art process wasn't enough...</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Exterior shots from the balcony of the outhouses from the neighbouring abandoned garage where the railway lines once were.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">The next door garage would make for a wonderful exhibition/event in a "Salon" style with a music event, if a small stage were to be created... just need to persuade Ryden Lettings...</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Evidence of the Open Install day... a chair cushion belonging to my mother which artist Richard Taylor was attempting to dust crumbs off and instead managed to throw the cushion off the balcony. Mother is now minus one chair cushion and is very aware of that matter.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Half the balcony is still unusable, reiterating The Station's partial restoration.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">This is an image of the entrance of the building with the documentation left from Doors Open Day still on the walls. These images and other related research were used to create an ongoing <a href="http://4.bp.blogspot.com/-hExIQZ1Z22A/UVrqMdxQxXI/AAAAAAAACvw/VYnT72liLRE/s1600/IMG_0161.JPG" target="_blank">book</a> about the <a href="http://2.bp.blogspot.com/-8OsqVbFIeHQ/UVrqqmwqeAI/AAAAAAAACzg/KsgymrZurEI/s1600/IMG_0190.JPG" target="_blank">history</a> and development of the space for the exhibition.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Writer <a href="http://kategrenyer.wordpress.com/" target="_blank">Kate Grenyer</a> also came later in the Open Install afternoon to see how everything was coming together, to begin asking questions for her written response - </span><i style="font-family: Arial, Helvetica, sans-serif;"><a href="http://2.bp.blogspot.com/-shKb0xuGhNs/UVro8KJlIJI/AAAAAAAACvQ/J-AjeBLxquo/s1600/100010.jpg" target="_blank">Points Along A Line</a></i></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">We naturally decided to carry this conversation on at the local pub... further allowing the artists and Kate to get a feel for the area...</span></div>
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Holly Knox Yeomanhttp://www.blogger.com/profile/12199258598416006990noreply@blogger.com0tag:blogger.com,1999:blog-7460142124870717021.post-68166977681210220892013-03-30T10:20:00.000+00:002013-03-30T10:52:40.146+00:00Newhaven Station Preview Event<div style="text-align: center;">
<span style="font-family: Arial, Helvetica, sans-serif;">Now that Newhaven Station has come to an end... I thought it about time I posted some images from the Preview.</span></div>
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<a href="http://2.bp.blogspot.com/-uZ33vlHBIWk/UVa4U1qHZGI/AAAAAAAACe8/iBRPtt36Xf8/s1600/tumblr_mk6dtol5my1r3y7d2o1_500+(1).jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: Arial, Helvetica, sans-serif;"><img border="0" height="266" src="http://2.bp.blogspot.com/-uZ33vlHBIWk/UVa4U1qHZGI/AAAAAAAACe8/iBRPtt36Xf8/s400/tumblr_mk6dtol5my1r3y7d2o1_500+(1).jpg" width="400" /></span></a></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">A major hiccup occurred prior to the event in that the generator stopped working. So emergency tea-lights became an essential requirement for many of the first guests through the door as well as a Limited Edition Newhaven Station Ale! I think this actually worked in favour of the event - it was a great ice-breaker between people as they worked out together where tea-lights should go within the alcoves of the timber structure! It did however mean that when I awoke the next day I was sure we had burned down the historical building (no need to worry though... I was gifted use of the building for a month... and lo and behold it is still standing)!</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Lights on briefly!</span></div>
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<a href="http://2.bp.blogspot.com/-ijDUeq2PR4E/UVa5NMxMqfI/AAAAAAAACfQ/Ff-kli-V0TE/s1600/DSC_0137.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: Arial, Helvetica, sans-serif;"><img border="0" height="266" src="http://2.bp.blogspot.com/-ijDUeq2PR4E/UVa5NMxMqfI/AAAAAAAACfQ/Ff-kli-V0TE/s400/DSC_0137.JPG" width="400" /></span></a></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">(Thanks to <a href="http://asmallamountofwriting.blogspot.co.uk/2013/03/newhaven-station.html" target="_blank">Anna King</a> and <a href="http://nowbacktoyou.tumblr.com/" target="_blank">Claudia de la Pena</a> for additional photos)</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">More images can be viewed <a href="https://www.facebook.com/media/set/?set=a.10151546977156215.1073741826.515151214&type=1&l=7dbd2069b9" target="_blank">here</a>.</span></div>
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<a href="http://3.bp.blogspot.com/-lBc_5z-8av0/UVa4VXJjkeI/AAAAAAAACfE/Mu1BdLL59MU/s1600/tumblr_mk6dqhD7021r3y7d2o1_1280.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: Arial, Helvetica, sans-serif;"><img border="0" height="263" src="http://3.bp.blogspot.com/-lBc_5z-8av0/UVa4VXJjkeI/AAAAAAAACfE/Mu1BdLL59MU/s400/tumblr_mk6dqhD7021r3y7d2o1_1280.jpg" width="400" /></span></a></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">We went on to have an After-celebration at The Starbank Inn which most definitely warmed us up nicely after the rather airy experience of our Preview!</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Special thanks to <a href="http://www.starbankinn-edinburgh.co.uk/" target="_blank">The Starbank Inn</a>, <a href="http://www.portofi.com/" target="_blank">Porto&Fi</a> and <a href="http://www.gicleeuk.com/" target="_blank">Giclee UK</a>.</span></div>
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Holly Knox Yeomanhttp://www.blogger.com/profile/12199258598416006990noreply@blogger.com0